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Gabel

photo Chris Leck



Video Samples

Wallachian dance Musica Maestrale
Polish Music at Polish Hall (Aug. 17, 2012)




Belgique




Hansen Review

Review


American Record Guide May/June 2004
Guide to Records p.171


SVOBODA: Clarinet Chamber Works 1 Michael Anderson, Todd Kuhns; Kristen Halay, fl; Edward McManus, hn; Thomas O'Connor, ob; Steve Vacchi, bn; Tomas Svoboda, (p) North Pacific 16--67 minutes

[...]

The notes are well done, and the sound is excellent. This is Volume 1, chamber works with clarinet, so I assume we have a lot coming down the pike. Michael Anderson is a fine player (as are all the players here), and the Oregon Festival of American Music must be an attractive place to be every year if the quality is this high. Svoboda has much to offer, and while this is my first exposure to him, I can definitely recommend it to newcomers. -- RITTER

Copyright 2004 by Record Guide Productions. All rights reserved.

Reviewed by Steven E. Ritter



STATE-OF-THE-ART EQUIPMENT & SOFTWARE

microphones: Earthworks QTC40 omnidirectional matched pair -- the quiet, transparent, accurate
(4hz-44khz, 145spl)

preamplifiers: Grace 201 -- matched stereo pair -- quiet, accurate, warm as any tube technology

converter: Apogee PSX-100 -- 24-bit resolution, jitter-free sampling accuracy

recorder: Alesis ML-9600, high resolution hard-disk recorder -- full 24-bit recording, with archiving to 24-bit CDR or standard audio CD (within hours of session or concert)

editor: Digidesign ProTools -- 24-bit from start to finish

mastering: Waves digital EQ, Trueverb ambience and L1 Ultramaximizer -- inaudibly smooth noise shaping & mastering dithers



Engineer, Producer, Composer & NPM founder, specializing, since 1991, in out-of-the-main-stream, art music, concerts and mixed-media events, recording, mastering, production, marketing and promotion of classical, avant garde, world, jazz and new-world-age music, at affordable rates to discerning musicians, composers and organizations -- artistically inspired, attitude-free professionalism from session planning to market-ready productions with free consultation on all production aspects: marketing standards in packaging, licensing, copyrights, AFM & work-for-hire protocols -- credited with productions of

"...audiophile quality."

as written in an American Record Guide, Sept./Oct. 2001 review of Tomas Svoboda - Piano Works Vol.1 - NPM LD 006.


Live Sound engineering, reinforcement, Installation:

Portland Summer Festival, 2010 - Opera in the Parks, opera in concert for 1500 on Concordia University's quadrangle

Vancouver Peace and Justice Fair, 2009-10, Esther Short Park bandstand sound stage for a dozen different acts

Phone Book Mash up, Olympic Mills, 2008 month-long installation throughout 20k-sq-ft lobby.

fEARnoMUSIC, on call for special sound reinforcement solutions, while serving as principal recording engineer since 2004.

Resident Composer and Technical Director for Agnieszka Laska Dancers, covering all audio engineering since 2003.

Newport Symphony Orchestra, on call for special sound reinforcement solutions, while serving as principal recording engineer since 2000.


2008 Renderyard International Film Festival

This is the most recent in a growing list of awards for the movie made from the 2006 Qerétaro, México, world premiere.







INSIGHT AWARD from
National Association of Film and Digital Media Artists


THE FALL '01 - 2006 - choreodrama
by Agnieszka Laska and Luis Arreguin
video director: U. Takafumi
Amazing Visions

audio engineering: Jack Gabel - NPM


28th Annual Telly Awards







Communicator Awards -
Award of Excellence



Goldfinch - 2005 - music video
violinist: Chien Tan
video director: U. Takafumi
Amazing Visions

audio engineering: Jack Gabel - NPM


Cine Golden Eagle Award


RECORDING & PRODUCTION SERVICES

·    Site Recording: concerts, rehearsals, events
·    CD Session Recording in live halls
·    Editing and Mastering for archiving or release
·    CDR Short-run Replication and Contracting
·    CD Replication Contracting for 500-plus runs
·    CD packaging services: layout, design, manufacturing
·    Distribution and Promotion
·    Original music for performance and media


FEES FOR SERVICES

site recording: concerts, rehearsals, events: $125 per standard 2-hr. service, includes archival CDR (available within 90 minutes). For events over 2 hours, add $25 per half-hour; no added costs for setup, sound check or cartage; travel billed at $0.50 per mile for all jobs over 20 miles from downtown Portland. Air fare and lodging at clients expense.

audio/video recroding: live concerts, delivering archival HQ audio CDR + audition footage DVD - editing and HQ import for master DVD at studio time - $37.50/hr.

CD session recording: in live halls; recording fee: $75 per hour, includes CDR of session takes, available within two hours. All time billed, including setup and sound check; travel billed at $0.50 per mile for all jobs over 20 miles from downtown Portland. Air fare and lodging at clients expense.

editing & mastering: for archiving or release; studio time billed at $37.50 per hour, additional CDRs, labeled and boxed: $5 each.

CDR Short-run Replication (100-500): Finished discs, with your covers inserted at factory boxed and wrapped: $2.50 each cover design & proofing, on the clock: $37.50/hr.


NEGOTIABLE SERVICES

CD replication: contracting for 500+ runs

CD packaging services: layout and design, contract printing, assembly, distribution & promotion.

call for consultation & pricing

original music for performance and media